Ghost stories have fascinated me since I was a small child, even when they gave me nightmares every night. I've never lived in a haunted house, been part of a cursed family, or been kidnapped by highwaymen and villainous villains, but I've always sensed some people never leave this world. Despite the nightmares, I also believe ghosts aren't always vengeful spirits but loved ones, beings of light who sometimes just want to say hi. I have been writing stories since I learned to write. Ghost stories have always been a part of me, and I hope to shed a different light on this gloomy genre.
This book by Ann Radcliffe was published in 1794, and I read it in the spring of 2020 (yeah, we all remember). It was a welcome respite from my book club books as I sat on my lawn chair accompanying the main character, Emily Saint-Aubert, as she journeyed through the Languedoc. It was a long and arduous journey with long and arduous descriptions, and while I am averse to these, the narrative and language fascinated me. The story pulled me into a moonlit graveyard abutting an ancient convent, then into the languid beauty of 16th-century Venice, the gloomy castle Udolpho, and Signor Montoni's villainous schemes.
This book is the epitome of classic Gothic fiction, a genre of literature that started with Horace Walpole's The Castle of Otranto. But Udolpho sets the bar even higher with its narrative's light and darkness and winding twists.
I love the story, the setting, the characters, and its ghostly gloom, even if Emily faints every other paragraph. Despite its length, I could not put it down and enjoyed every word.
`Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Rreflections brought only regret, and anticipation terror.'
Such is the state of mind in which Emily St. Aubuert - the orphaned heroine of Ann Radcliffe's 1794 gothic Classic, The Mysteries of Udolpho - finds herself after Count Montoni, her evil guardian, imprisions her in his gloomy medieval fortress in the Appenines. Terror is the order of the day inside the walls of Udolpho, as Emily struggles against Montoni's rapacious schemes and the…
Published in 1834, this one amplifies Ann Radcliffe's Gothic-ness to eleven. I loved the story because it's fun, wild, gloomy, rogue, and riveting, like a gripping telenovela.
The plot is all about inheritance, family drama, illegitimate sons, and revenge. It features villains, gypsies, apparitions, corpses, evil priests, murders, curses, and the famous highwayman Dick Turpin and his mare Black Bess. It recounts Turpin's midnight ride through the English countryside as he flees capture, and like it, the entire novel is a wild ride.
Though a bit antiquated and with "songs" aplenty—which Ainsworth himself lamented had been lost in British literature and tried to resurrect—its gloomy and despairing story captivated me. The book begins at night inside a mausoleum, where the sexton Peter Bradley tells his grandson Luke his family history.
Right off the bat, we have a desecration and a rotting hand; how much more Gothic can this story be?
Rookwood is a novel by William Harrison Ainsworth published in 1834. It is a historical and gothic romance that describes a dispute over the legitimate claim for the inheritance of Rookwood Place and the Rookwood family name.
About twenty years ago, I read the opening lines of this book (published in 1955) in the evening and finished the entire book in one sitting. This time, I read it in two sittings and fell in love with it again.
I love how this short novel straddles several genres—literary fiction, magic realism, surrealist fiction, and Gothic fiction—in its own way. I always enjoy a precise and simple style, at which Juan Rulfo excels. Yet, the narrative and the plot are so complex that it's hard to believe so much fits into one hundred pages.
This book has all the elements of Gothic fiction in the Mexican style. The gloom and eeriness are palpable in the oppressive heat of the wasteland that is the fictional town of Comala, and only Rulfo could marry such contradictions in one short novel.
"One of the best novels in Hispanic literature, and in literature as a whole.” —Jorge Luis Borges
The highly influential masterpiece of Latin American literature, now published in a new, authoritative translation, and featuring a foreword by Gabriel García Márquez
A masterpiece of the surreal that influenced a generation of writers in Latin America, Pedro Páramo is the otherworldly tale of one man’s quest for his lost father. That man swears to his dying mother that he will find the father he has never met—Pedro Páramo—but when he reaches the town of Comala, he…
In this book, Shirley Jackson states that some places are evil for no reason and that some people are drawn to them and feel at home in them. Hill House is evil; it's built without straight angles, which leaves one feeling disoriented. It claims lives and urges people not to leave.
I love how the book weaves psychological abuse into its plot and how one feels inside Hill House: disoriented, gaslit, and manipulated. The central theme of toxic relationships and co-dependency surprised me.
I also enjoy its simple style, which is almost childlike yet so immersive that it packs a punch, like Hill House.
Part of a new six-volume series of the best in classic horror, selected by Academy Award-winning director of The Shape of Water Guillermo del Toro
Filmmaker and longtime horror literature fan Guillermo del Toro serves as the curator for the Penguin Horror series, a new collection of classic tales and poems by masters of the genre. Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story "Sardonicus," considered by Stephen King to be "perhaps the finest example of the modern Gothic ever written," to Shirley Jackson's The Haunting of Hill House and stories…
Remember when schools handed out a catalog of books for you to order? I do. I chose this book when I was about eleven years old, and while even then I was already reading Caroline B. Cooney and Richie Tankersley Cusick, this book took my childhood love of ghost stories and nudged it into my adolescence and adulthood.
Twin houses, the Civil War and broken families are the backdrop to the principal theme of young and forbidden love across the ages. Jealousy, revenge and a love which is not quite right live within the walls of these houses. Here, the places are not born evil; they are made evil by common human emotions allowed to fester and never laid to rest.
I have read it at least five times and love it still. Barbara Michaels is one of my favorite Gothic writers, and this book holds a vast place in my Gothic and ghostly heart.
Ghosts, a mysterious diary and a harrowing of a family split by the American Civil War sit at the heart of The Walker in the Shadows, a haunting Gothic romance by New York Times bestseller Barbara Michaels.
The house next door to Pat Robbins - eerily identical to the home she shares with her teenage son, Mark - has been empty for years. And it's not surprising, as there's a feeling of darkness radiating from the house that seems to scare everyone away.
But now new tenants are moving in: friendly Josef and his lovely daughter, Kathy, who has stolen…
Jack Adams has just bought the house of his dreams; it’s perfect for him and offers him the peace and tranquility he seeks. Too bad it’s haunted.
The ghosts of the slain Jenkins family will not rest until their murderer is brought to justice. Jack must now face his worst fear in his own home. He must find the killer to stop the haunting and bring peace to the souls of an entire family wiped out in cold blood.
Writer, reader, editor, reviewer, publisher… those are all parts of me. With a lifetime of experience in the “words” industry, I have a pretty good handle on what makes a book not just good, but hot. I say this with the understanding that each reader brings their own histories to the reading experience, and what one person may like, another may not. Nonetheless, I offer you my professional and personal favorites in the mystery/thriller/suspense categories. It is my sincere hope that you find these books as addictive as I’d found them. Superb and clever writing, engaging characters, unpredictable plots—yes, please! Though I occasionally step outside my comfort zone, I'm consistently drawn back to these categories.
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own. A friend murdered. A business in trouble. A marriage struggling to survive. And that’s just the beginning.
When salon owner Carrie King discovers Liza dead in the back room of her shop, everyone becomes a suspect, even her. As tensions in the community rise, so does the death toll, and now the local cops believe there’s a serial killer on the loose. The question is … are the two investigations connected?…
Liza O’Connell was a horror buff in every sense of the word. But there was one deadly nightmare she would never be able to talk about … her own.
A friend murdered.
A business in trouble.
A marriage struggling to survive.
And that’s just the beginning.
When salon owner Carrie King discovers Liza dead in the back room of her shop, everyone becomes a suspect, even her. As tensions in the community rise, so does the death toll, and now the local cops believe there’s a serial killer on the loose. The question is … are the two investigations connected?…
